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Grateful Dead Live at The Ark on 1969-04-23




Set 1

Introduction
He Was A Friend Of Mine
Dark Star ->
St. Stephen ->
It's A Sin ->
St. Stephen ->
Cryptical Envelopment ->
Drums ->
The Other One ->
Cryptical Envelopment ->
Sittin On Top Of The World ->
Turn On Your Love Light

Set 2

Morning Dew

Hard To Handle
Doin' That Rag
Alligator ->
Drums ->
drummer's chant ->
Jam ->
The Eleven ->
Jam ->
Caution (Do Not Stop On Tracks) ->
Feedback ->
And We Bid You Good Night

Encore

Not Fade Away tease
It's All Over Now Baby Blue


Collection GratefulDead
Band/Artist Grateful Dead
Venue The Ark
Location Boston, MA

Source SBD -> Master Reel -> Cassette -> Dat -> CD
Lineage CD -> Samplitude Professional v9.12 -> FLAC
Transferred by Charlie Miller

Notes

Patch Info:
SBD -> Master Cassette -> Cassette -> FLAC (shnid=98793) supplies:
St. Stephen (1:37 - end of track)
It's A Sin (0:00 - 1:44)

Notes:
-- All disc changes are seamless
-- Tape flip during The Eleven
-- Tape flip between Caution and Feedback
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

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Matthew Vernon
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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by Grateful Dead
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD.
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Source: Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
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Source: nak 300 mics > sony d-6 > mac
Grateful Dead
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;